Rio de Janeiro is a love story. Thomas Henriot first arrived in 2008, in the midst of Carnival, captivated by the burning sensuality of the Marvellous City.
He returned many times, took part in an artist residency, and collaborated with INOX Gallery.
During these years, he created the book No Brasil and welcomed filmmaker Antoine Page, who made Henriot’s work the subject of his film Largo do Machado.